Transcription: Let's assume for a moment that you are a dishonest man. Assume away. Under the right circumstances, a producer could make more money with a flop than he could with a hit. From Mel Brooks. Step one, we have to find the worst play ever written. The comic genius who brought you Blazing Saddles and Young Frankenstein. You found a flop? It's the mother lode. Springtime for Hitler. My play? We want to put it on Broadway. Happy, dippy, tappy, toppy. Step two, we hired the worst director in town. Step three, I raised $2 million. So how do we raise the money? From my investors. Hold me, touch me. Now a ...
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